Director: Jeremy Wiles
Writer: Tiana Wiles
Stars: Jeanne Neilson, Paul du Toit, and Syreeta Banks
Released Date: November 22, 2024
Can you imagine how a series of tiny holes in what may seem to be an unremarkable universe can result in catastrophic disaster? From the Ashes, the second film by Saudi filmmaker Khalid Fahad, begins with what appears to be just another day in the lives of high school girls in rural Saudi Arabia. But, as the reader will soon discover, there is indeed more to this tale than initially meets the eye. Although it may recall Netflix’s Al Rawabi School for Girls, this movie delves into more sinister and thrilling genre that fuses actual tragedy with drama.
The film begins with portraying a group of teenage girls and their challenges which stem from the demands of family, school, and society. From the teacher’s looks of disapproval to the sneers of other students, their days are filled with stress and fear. They rebel even in the clothes they wear—wearing uniforms at home but taking them off as soon as parents get out of the house. It is thrilling to a point where one cannot help but hold their breath, no fire, the tragedy of the film has not even started.
However, when the fire does come, it burns just as intensely and with the same dramatic impact as the true story it is based on. The calamity happens in the initial half an hour of the film and what ensues is a complex narrative. That is not merely a question of survival or mourning – it is also a whodunit. As the flames subside, a horrifying discovery is made: One of the girls is discovered already dead, in an enclosed space such as a closet. The investigation that follows makes everyone a suspect, revealing dark layers to each character that had not been seen before.
It is possible to identify several strong points regarding the narrative of From the Ashes; however, the most important one is the fact that the game does not limit itself to one particular genre. The film successfully incorporates elements of teenage drama, thriller, and even comedy into the 92-minute movie. This risky, wilful combination could initially appear contrived, but Fahad effectively manages every turn, making each one tantalising.
The cast delivers the performances which serve as the best aspect of the film. Khaled Sa’id’s Hajjan is played by Saudi actress Shaima Al Tayeb who nicely captures the character of the school principal. She effectively combines dominance and frailty, which puts her at the core of decisive narratives in the film. However, the younger group of actors is the most captivating. Wafa Muhamad and Hamss Bandar are promising talents who are able to combine intensity and believability on screen: they are essential characters of the emergent Saudi film industry. It is like seeing the seeds of something great being sown not just for them but for the kingdom’s cinema in general.
The director Khalid Fahad has once again demonstrated that he is prepared to take chances and be versatile in his approach to telling the story. The movie that only came out six months after his first feature, Valley Road, proves to be entirely different from the one before it. Though Valley Road seemed to be an inspiring and Disney-like family story, From the Ashes is introspective, more severe, and not shy in revealing some relevant social issues. Yet both films share a common thread: Fahad’s capacity to extract the best of his actors especially the youngsters and the need to tell unique and innovative stories.
While the picture addresses such broad issues as oppression and the need to meet others’ expectations, it remains grounded in the particular cultural context of Saudi Arabia. This makes the show appealing to viewers from other parts of the world while providing the viewer with a true depiction of the regional way of life.
It may not be for everyone but fans of suspenseful drama, complex characters, and plots that do not always progress linearly would definitely enjoy From the Ashes. It is not only a movie that tells a tragic story but rather a movie that simply reflects the nature of people, a movie highlighting fresh acting talents, and more importantly, a movie marking the important step in Saudi Arabian cinema to go international.
Khalid Fahad is still establishing himself, and with two such successful works in his portfolio already, it is possible to anticipate an even better result in the next projects. If you enjoy enigmatic thrillers, dramatic relationships, or just want to take a look into the future of the Middle Eastern cinema, this is a film that will stay with you after it ends.
From the Ashes 2024 Parents Guide & Age Rating
Violence and Disturbing Scenes: Contains scenes of a school fire, which may be intense and distressing for some viewers. A student’s death is central to the story, with implications of foul play.
Language: No notable use of strong language, but intense arguments and confrontations are present.
Sexual Content: No explicit scenes, but some moments hint at teenage rebellion against societal norms (e.g., removing garments in private).
Substance Use: No depiction of alcohol, drugs, or smoking.
Recommended Age: Suitable for mature teens and adults who can handle the themes and emotional weight. Likely not appropriate for younger children.